PompeiiinPictures

VII.9.7 and
VII.9.8 Pompeii. Macellum. September 2005. Shrine on middle of the east
side.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Two statues in niches on the
south wall.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Shrine.
Female statue originally thought to be either Octavia the
sister of Augustus or an unknown member of the Julio Claudian house.
It is now believed to be a statue portraying a local
personality perhaps one who sponsored the restoration of the building.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Shrine.
Male statue originally thought to be either Marcellus the
nephew of Augustus or an unknown member of the Julio Claudian house.
It is now believed to be a statue portraying a local
personality perhaps one who sponsored the restoration of the building.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Threshold of large room in
south-east corner.
Market room used for the sale of meat and fish.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Large room in south-east
corner.
Market room used for the sale of meat and fish.
A water channel ran round the counter conveying running
water.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Large room in south-east
corner.
Looking east towards market room and counter used for the
sale of meat and fish.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009. South end of large room in
south-east corner.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009. East wall of large room in
south-east corner.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009.
Remains of Sarno painting in centre of east wall of large
room in south-east corner.
According to Stefani, it was a fourth style picture in the
centre of the wall.
Various people were portrayed on it representing the river
Sarno, the sea and plain.
Top left was a seated male figure, representing Vesuvius.
Centre top was a young male figure, representing Sarno,
holding a vase from which a jet of water was coming.
Top right were three female figures, generally referred to
as nymphs, but could represent the 3 tributaries that feed the river.
Bottom left was a seated male figure in profile
representing the coast.
Bottom right was a female figure with two children,
interpreted as the personification of the fertile valley crossed by the river
Sarno.
This painting was said to represent the produce of the sea
and countryside that were sold here.
See Stefani, G. (2005): Pompei. Il Macellum: in Cibi e Sapori a Pompei e dintorni, (p.
135-6).

VII.9.7 and VII.9.8 Pompeii.. Engraving of the Macellum
showing its state shortly after its discovery.
The Sarno painting was found in the large room in the
south-east corner (far right in this picture).
The painting was in a panel in the centre of east wall,
which can be seen on the back wall in this picture.
See Mazois, F., 1829.
Les Ruines de Pompei: Troisieme Partie.
Paris: Didot Freres. (pl. XLII).

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009. North wall of large room in
south-east corner.

VII.9.7 and
VII.9.8 Pompeii. Macellum. December 2007. Large room in south-east
corner.
Market room used for the sale of meat and fish.
A water channel ran round the counter conveying running
water.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009.
North wall with remains of painted plaster in large room
in south-east corner.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009.
Looking east at painted plaster on rear of counter at
north end of large room in south-east corner.

VII.9.7 and VII.9.8 Pompeii. Macellum. March 2009.
Looking west at painted plaster on rear of counter at
north end of large room in south-east corner.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009.
Looking west along north end, area behind counter in large
room in south-east corner.

VII.9.7 and
VII.9.8 Pompeii. Macellum. March 2009. Large room in south-east corner.
Looking east along the front of counter at north end.
A water channel ran round the counter conveying running
water.