PompeiiinPictures
![IX.3.12 Pompeii. May 2005. Entrance. On the left of the entrance, between IX.3.11 and IX.3.12, painted graffiti was found:
Proculus rog(at) [CIL IV 365].
See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 158)](9%2003%2012_files/image001.jpg)
IX.3.12
Pompeii. May 2005. Entrance.
On the left of the entrance, between IX.3.11 and IX.3.12,
painted graffiti was found:
Proculus rog(at)
[CIL IV 365].
See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 158).

IX.3.12

IX.3.12 Pompeii. Looking north-east from entrance.
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.
According to Boyce and Fröhlich, the large rectangular pilaster
opposite the oven used to be decorated with white stucco to a height of about
two metres.
See Boyce G. K., 1937.
Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p. 83 and pl. 20)
See Fröhlich, T., 1991. Lararien und Fassadenbilder in den Vesuvstädten. Mainz: von Zabern. (p. 295 and Taf. 45.2)

IX.3.12 Pompeii. 1872 drawing of lararium painting on the
rectangular pilaster opposite the oven.
According to Boyce and Fröhlich, the large rectangular
pilaster opposite the oven used to be decorated with white stucco to a height of
about two metres. It was painted on three sides.
On the main side it was painted with the Genius pouring
his libation onto a cylindrical altar with offerings, around which a large
serpent was coiled.
The tail of the serpent continued onto the left side of
the pillar, where there was a large tree.
A second tree stood to the left of the altar painted on
the main side.
On the third side the figure of the Genius appeared again,
standing on the stern of a ship which had its sails spread. Sogliano called
attention to the unusually brown tinge of the flesh of both these figures of the
Genius.
See Boyce G. K., 1937.
Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p. 83 and pl. 20)
See Fröhlich, T., 1991. Lararien und Fassadenbilder in den Vesuvstädten. Mainz: von Zabern. (L103, p. 295 and Taf. 45.2)
See Annali dell’Instituto di Corrispondenza Archeologica
(DAIR), Vol. 44, 1872, p. 35ff, Tav B.

IX.3.12

IX.3.12 Pompeii. Looking across the front of the oven
towards the south wall.
Old undated photograph prior to restoration of oven.

IX.3.12
According to Boyce, the niche had green and brown leaves
and red flowers.
On the white plaster surrounding the niche, there were
paintings.
See Boyce G. K., 1937.
Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.83 and Pl.26,1)

IX.3.12
The niche had green and brown leaves and red flowers.
On the white plaster surrounding the niche, there were
paintings.
On the right, Luna was sitting on a horse.
On the left, Isis-Fortuna with large green wings and a
crescent moon with a lotus flower in the middle of her head.
To the side of Isis-Fortuna was a cupid holding a lighted
torch in both hands.
Below the niche, were two large bearded and crested
serpents in front of an altar with egg and pine-cone on top.
See Boyce G. K., 1937.
Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.83 and Pl.26,1).
See Fröhlich,
T., 1991. Lararien und Fassadenbilder in
den Vesuvstädten. Mainz: von Zabern. (L102, p. 295, Taf. 45.1).
See Pappalardo, U., 2001. La Descrizione di Pompei per Giuseppe Fiorelli (1875).
Napoli: Massa Editore. (p. 146).
See Annali dell’Instituto di Corrispondenza Archeologica
(DAIR), Vol. 44, 1872, p. 35ff, Tav C.

IX.3.12 Pompeii. May 2005. Niche on south wall.

IX.3.12
Detail showing painted green and brown leaves and red
flowers.

IX.3.12
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

IX.3.12

IX.3.12

IX.3.12 Pompeii. An oven in the new excavations (during
excavation).
Old undated photograph courtesy of the Society of
Antiquaries, Fox Collection.

IX.3.12

IX.3.12

IX.3.12 Pompeii. Looking north-east to doorway to room on
north side of oven.