PompeiiinPictures
Part: 1 2 3 4 5 6 7 8 9 Plan (Separate window)

IX.14.4
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

IX.14.4

IX.14.4
Looking south-east
over peristyle 1 to garden 2 from upper level. Room 3 is on the right.

IX.14.4
Looking south over
restored upper storey towards IX.14.c.

IX.14.4
Looking south-west
across unexcavated area from the upper level.

IX.14.4

IX.14.4
Looking south along corridor towards peristyle 1, with
doorway to kitchen, room 18, on right.

IX.14.4
According to NdS, a plaster cast was made of the
wooden double-leaf door dividing the kitchen / praefurnium from the corridor.
The plaster cast was
to be left in situ, to make the visit to the house more interesting for
visitors!
See Notizie degli Scavi, 1911, (p.216)

IX.14.4
Room 18, hearth or
large podium against north wall in spacious kitchen.

IX.14.4

IX.14.4

IX.14.4

IX.14.4

IX.14.4

IX.14.4

IX.14.4
According to Boyce, a
rectangular space was enclosed within a simple painted aedicula of slender
columns supporting a pediment.
The pediment
represents red marble with insets of green in the centre and at each lower
corner.
The inside walls of
the arched niche are thickly covered with spots of yellow, green and red.
On the rear wall is a
figure, which the report in Not.Scavi
called Fortuna, but which certainly represents the Genius.
He holds cornucopia in
his left hand and a patera in his right. There is no altar.
In the spaces at the
sides, and below the niche but still within the painted aedicula were the
following painted figures –
On each side of the
niche was a Lar. Above each Lar was a garland with a bird perched on it.
Below the level of the
niche was, on the right, a hog advancing to the left, and on the left was a
banqueting scene with six persons upon a triclinium, three men and three women.
Immediately below the
niche was a single serpent gliding right amongst the plants.
Between the entrance
doorway to the room ad this Lararium was painted a figure of Hercules with the
club upon his shoulder.
The whole painting is
very crudely executed.
Not. Scavi, 1911, 214, with photo p.217
See Boyce G. K., 1937.
Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.31, no.68 & Pl.13, 2)
See Fröhlich, T., 1991. Lararien und Fassadenbilder
in den Vesuvstädten. Mainz: von Zabern. (L111, T. 48,1).
Part: 1 2 3 4 5 6 7 8 9 Plan (Separate window)